Gender, socio-political, and cultural themes are highlighted in Indian writing in English as it relates to human life. The seasoned actor, dramatist, and film director Girish Karnad created artistic works along these lines. The present paper investigates the significance of disguises in Karnad’s Nagamandala. It relied on the stylistic and film recordings of his plays, periodicals, and erudite evaluations of theatre to establish the background of his dramaturgy and thematic considerations. It describes Karnad's theatrical history, the influences that sparked his immediate attention in playhouse and recital, and his plays' historical and social backdrop. Analysis of gender, society, and masking techniques are also presented in Karnad's Nagamandala.