This article discusses climate change in literature, focusing on Anglophone fiction. From there, it examines how these made-up depictions and broken into intangible studies and how well the present methods and tools match the new vital concept. Climate change as a logical and social reality necessitates a complex portrayal in fiction. For instance, when authors portray the difference in the climate as a global, interconnected, and contentious phenomenon, they go beyond using the climate as the backdrop to discuss its effects on plot and character, which leads to unpredictable storylines and character development. It lets authors go beyond using weather as an environment. Then, general researchers must reassess their methods due to their innovative intricacy. For something, classification fiction may be more appropriate than scholastic fiction. Ecological analysis, sometimes called ecocriticism, must evolve beyond its preoccupation with "nature" and "area" to understand the local concerning the global. Revisionary ecocriticism and abstract fundamental hypotheses or historicism may also collaborate. Every primary mode is starting to manage shifts in climate change and reconsider itself. This study examines both chemistry and climate change. It also emphasizes the need for more research to communicate these issues to society through literature.