The Madurai painting, also known as Mithila painting, is an ancient art form originating from the Mithila region of Bihar, India, and are renowned worldwide for its vivid hues and complex detailing. Using feminist theory as a framework, this article examines how women are portrayed in Madurai art, and how the artform focuses on the idea of liberation. It will explore how Madurai painters confront or support gender stereotypes with their paintings, and how these illustrations mirror the progressing condition of women in present-day India. The article will analyze the impact of pictorial stereotypes of women in modern India on the representation of women in Madurai paintings, and how Madurai craftsmen navigate the conflict between conventional social norms and contemporary feminist perspectives. The findings will enhance our comprehension of how craftsmanship plays a role in shaping societal perceptions of women and adds to the ongoing discussion about gender equality and empowerment in India.