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Indian Myths as a Mirror of the Local Context; An Analytical Study of Amish Tripathi’s Shiva Trilogy

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Dr. B. Chandana,Dr. Shirisha Deshpande,Avula Vijayalakshmi,Dr. Gitasri Mukherjee
» doi: 10.48047/ecb/2023.12.si7.028

Abstract

Regional writing in India, which is a living image of days gone by and the imaginations of the Ramayana, Mahabharata, and other fantastic legends, is the best product that the Indian subcontinent has to offer in terms of literary output. It has a bigger influence when the people who live in an area respect their language and comprehend their way of life through the rational presentation of facts. By acquiring and studying the abstract components of the locale, one can help the force of the local language expand and intensify the words that have an effect on the soul. As time went on, provincial tales were likewise modernized through the medium of writing and were given an integrated picture of greatness. Amish Tripathi is an emerging force in this arena. He is a new pop star of folklore and a banner-holder of current regionality. His Shiva Trilogy is a collection of wonderful works that encapsulated contemporary problems regarding fire in the territorial notion of Lord Shiva and ignited the book industry. Various conceptions of Indian regional culture are given the treatment of sanity and are then written down in genuine ink. This study handles the rank structure, Vikarmas, or untouchables, the divide between rich and poor, outcaste Nagas, political interests, manikin rulers, women's activist morals, sura and asura ideas, Ardhnarishwara, refinement of gods, an anachronism in an effective manner

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